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Saturday, 08 August 2009

  • Baraka

    Living in a Saint's House

    Like a lily in a rifle

    Or a blessing as a sign

    Things that counter curses in the soul

    Things slipped in deep to make one whole

    You’re on the side of Good

    Sleeping in your box of wood and stone

     

    You’re as good as dead

    Well, you’re dead but let’s be honest

    There’s a curse been laid upon us

    From the beach he watched the waters

    And he yawned.

     

    How could he yawn?

    Ocean’s gone, evaporated

    Tide left figs and fowl sated.

    Our bird, yes, yes our bird, our fat

    and well-fed bird that ate the sand

    and ate the sea,

    ate the sun our bird has left her tree;

    by God by now we know

    it has begun.

     

    Like a clam without an ocean

    Or like love without commotion

    Things that clatter out their blessings

    Things that matter get found out

    As you’re dead but still connected

    We know you’re on the side of Good

    Resting in your box of wood.



Thursday, 12 March 2009

  • Conjunctions


     
    A story already written, the plot already developed, and all I have to do is describe it. Paint it and make it whole. Visible. Awake. As an author I do best with bodies, reviving them with words.
     
    But the bodies: Where do they come from? Who thought of this man with fat feet sitting on the gray cement of a city curb? Who said he would exist and be happy, chuckling at the people who walk by and shake their heads? Will anyone let him know that today, of all days, will grip him and squeeze, as if he were a sponge or the head of a mop?
     
    He will be wrung out on the city streets, and nobody will mourn his passing. They should. He was their brother. Family. Now they pause as they walk by and shudder, thankful to be alive.  
     
    The man is brought to me, and I perform surgery. And the irony is that he will live or die depending on whether the public believes in him
     
    or not.
     

Monday, 23 February 2009

  • A Poem, Sortof



    When you ask children to decide

    their favorite color, their favorite game or

    just why they're laughing at you,

    and they quickly decide that

    your white

    eyelash (inexplicably noticed,

    inexplicably famous, inexplicably

    funny) must be removed,


    or the girl in the corner will die of hysteria.

    It's a horrible choice they've made

    but it must be done.

    It must be made the object of a sentence,

    plucked, and made the subject: Your eyelash is gone.


    But the girl is still laughing,

    the center of humor moved

    from my face to her face,

    and her friends clutter around with cellphones

    taking pictures of it.


Friday, 28 November 2008

  • Excerpt

    Chris walked outside and realized his hunger had increased like a cold wind pushing through an open door. Across the street numerous restaurants squabbled for attention: big open windows and crowded tables inside, big bright orange signs for kimbab, big bright red signs for dockpoki, big signs all stacked together like sketchbook pages, big nose of garlic and roasting meat and kimchi crowding just outside their doors, waiting just like the cold. Just like hunger. Chris stood on the steps outside his building, coughed, and felt it all wash over him. He pulled his coat tighter and turned to walk home.

    At the first stoplight, Chris waited for the pedestrian signal to turn green. Lanes of traffic trickled through the intersection one at a time: green buses with toothpaste advertisements, small black cabs with yellow hats, a spattering of SUVs. They dripped. In Seoul, rush hour ebbs and floods at odd hours, never consistent, always dependent on construction or accidents or how many scooters slip or stumble in the automotive alleyways. As Chris waited, people filed past him, shoes countering engine strokes sound for sound, exhaust and breath clouding between the bumpers. Some Koreans do not wait for traffic lights. Chris edged into the intersection, but his light turned green.

    The sidewalks continued the confusion of their nearby buildings’ signage. Bins of cabbage, blue trashcans, and scooters with large metal boxes for carting deliveries splashed out in front of restaurants. 24-hour marts provided tables and chairs for patrons to sit and smoke. Vegetable and fruit shops bulged out under awnings made of plastic and string, where stacks of bananas, potatoes, deep blue grapes, radishes, and cucumbers waited. Chris always walked past one shop that had crates of grapes stacked waist high. He never bought the grapes. Smelled them, thought about buying them, but never felt comfortable enough to do so. As he walked by, they almost overwhelmed him. He slowed his pace and lingered with the fragrance.

Tuesday, 30 September 2008

  • Soil Science

     
    My grandfather owns a plot of land in Iowa - 100 acres of pure Kenyon loam.
    I've walked across his fields in brown boots, and the thick, clumpy black earth erodes the corners of my eyes, slightly, enough to demand a rotation, a blink up at the turquoise and yellowing hedge surrounding the field.
     
    In his tractor, a green behemoth of production, Grandfather plants sweet corn in rows,
    for the second time. The first seeds were swept away by flood waters,
    along with people's cars and homes,
    so he plants again in the Kenyon loam.
     
    I look up and see a fat raccoon eating a snail and wonder
    about all those seeds
    washed south
    in streams and rivers
    setting themselves in the red clay of Arkansas
    struggling in the stringent dirt.
     
    The raccoon scatters, leaving behind dung pellets, and Grandfather rumbles by.
    He smiles. He always smiles.
    In six weeks, we will eat the tender yellow ears of corn
    with butter and salt.
    We will eat them in a thunderstorm
    under a gray washed sky
    clouds shaking water
    above us,
    drops splashing in the dirt like a kettle of boiling corn
    overflowing.

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